That sucks. That’s just bad math. Especially considering that women are making some really great films, and have been since films began. Hell, when I first started writing and submitting screenplays for competitions I considered doing it under a male/gender neutral pseudonym. Because that’s the world I am living and working in right now.
(But also, what if women were making really mediocre films? Men get away with that all the time, but don’t end up representing their entire gender when something flops. ‘The Room’ is a cult classic and it sucks. When was the last time you saw a ‘so bad it was good’ film directed or written by a woman? Something to think about.)
Here’s a few women on my radar that I think are really killing the film industry game. They’re making phenomenal pieces and working hard to amplify voices of minorities and other women.
‘The Farewell’ was a phenomenal film directed by Lulu Wang and premiering at Sundance. Wang is fairly new on the scene. (Or rather, was working hard and then made something brilliant that put her in the spotlight). Her film killed it at Sundance and with good reason; it’s personal and raw and funny and heartfelt. It’s a beautiful story about the juxtaposition between Eastern and Western cultures and a look into the lengths families go to to keep each other happy. I truly cannot wait to see what Wang comes up with next.
Listen, I understand on a base level that a review of a show should have lots of concrete talking points, dissections of various plots, discussion of character arcs and all that jazz, but let me just sit back a moment and let out my real feelings.
Eeeee! Gay love wins! Gay love saves the universe! There’s hope in these dark times and my heroes get to be happy! Eeeee!
I’ve got a complicated relationship with my sexuality; it’s something I’m still parsing through as a 30-year-old and will probably still be processing for the rest of my life. But the thing is, I know that if I saw She Ra and the Princesses of Power as a child I might have felt a little safer, a little more secure, and a little bit more whole. That’s god’s honest truth. I cannot help but be super grateful that we live in a world where this kind of content for children is being made because I understand implicitly that it helps, and it’s necessary. Sure, seeing same-sex characters kiss as a child probably would not have helped my anxiety or depression, but it would have at least given me an anchor point; a true north that says, “This is okay too.” Smarter people said it better; representation maters.
In light of the pending pandemic, Hallmark just announced they were going to release and marathon some of their Christmas movies to lighten the mood. That’s adorable. That’s the last freaking thing I think I can handle right now.
To posit an alternative, let me introduce you to one of my favorite things. I’m a big fan of a very special genre I like to call “stupid-dark.” (I’m also guilty of being a fan of faux-documentary horror movies, so do with that what you will). Movies that show the less cute side of humans and/or have 5th grade creative writing level plots. There’s lots of good dark movies and shows, but the majesty of reaching a stupid-dark is unparalleled. Unexpected, bizarre, outlandish, and most importantly, distracting. That’s the stupid-dark way.
This is what I need in these trying times. I can barely handle cute Christmas Hallmark movies during the holiday season, and there’s a possibility that you’re the same way. Come join me on an adventure into Stupid-Dark. Best part, these are all on Netflix right now! Yippie!
1. Tiger King (2020)
This is brand new on Netflix and I binged it in a day (yesterday was not productive to say the least, but I, along with Joe Exotic and a plethora of weirdos of big cat breeding did very good on scrabble go while watching this so that’s something). This leans more towards Dark/Weird than truly Stupid-Dark – because it’s not stupid, it’s an incredible documentary – but there’s some things that happen that make you go “Oh god, that was stupid,” so I’m including it here. This deep dive into the lives of the big cat breeders and traders into the United States, including a Libertarian presidential campaign, accidental suicide, a man leading a harem of women tiger keepers, a potential murder plot and of course a butt ton of baby tigers and lions, is so bizarre and gripping.
Thank god for this movie. I loved the first one, and I love this one too. I’m far removed from high school, and cannot even relate to a massive public school, (Catholic all-girls school here), but this brings me back to all those good fuzzy feelings without any of the ‘oh god I hate this place’ feelings that I got from my actual high school.
What happens when a chemical imbalance affects an average girl?
Horse Girl is a journey into the world of psychotic depression from a relatable standpoint. Alison Brie’s detached character Sarah is pretty freaking normal; then something not so normal happens to her.
This show sucks. This show sucks so bad; don’t watch it.
That’s it, that’s the review.
Okay, no it’s not it, but that’s really all there is to it. Going over the writing, characters/characterization, and acting (and literally every other metric you can conceive) we’ll delve deep into the suckiness of this show.
I just finished the second season of the knockout hit, Shrill, and boy howdy am I happy about it. The first season was kind of life changing for me, and for a lot of the fat community; Lindy West’s creation and Aidy Bryant’s brilliant performance was the first time I’ve ever seen someone like myself on screen.