However much you know or don’t know about movies and television, you can’t deny that they are a massive, unhinged, inspiring part of our worldwide culture. And they’re relatively new (just like podcasts are relatively new too!) Humans have been telling stories since about the time we developed fire, but it’s only in the last century or so that films have risen to prominence.
And I love it. I love learning about practical effects and never-been-done-before techniques. And I love hearing about the things actors do (or won’t do), for the good (or detriment) of a film. I love the resurgence of stop-motion animation, and I love the way that computer animation has evolved over the last few decades. I love the gossip a little bit too if I’m being brutally honest (the Quibi debacle is breathing life into my cold, dead heart; what a mess). And I really love listening to podcasts about all of this.
It’s a fascinating world! Podcasts are the way into it!
That sucks. That’s just bad math. Especially considering that women are making some really great films, and have been since films began. Hell, when I first started writing and submitting screenplays for competitions I considered doing it under a male/gender neutral pseudonym. Because that’s the world I am living and working in right now.
(But also, what if women were making really mediocre films? Men get away with that all the time, but don’t end up representing their entire gender when something flops. ‘The Room’ is a cult classic and it sucks. When was the last time you saw a ‘so bad it was good’ film directed or written by a woman? Something to think about.)
Here’s a few women on my radar that I think are really killing the film industry game. They’re making phenomenal pieces and working hard to amplify voices of minorities and other women.
‘The Farewell’ was a phenomenal film directed by Lulu Wang and premiering at Sundance. Wang is fairly new on the scene. (Or rather, was working hard and then made something brilliant that put her in the spotlight). Her film killed it at Sundance and with good reason; it’s personal and raw and funny and heartfelt. It’s a beautiful story about the juxtaposition between Eastern and Western cultures and a look into the lengths families go to to keep each other happy. I truly cannot wait to see what Wang comes up with next.