Chapter One; The Boy Who Found Harry after a Tragedy – Medium.com

This is the first installment of my very not-finished Potter Project, where I go through each chapter of the first Harry Potter book and try to find a way to translate it into a decent screenplay scene. This article focuses on chapter one and starting the proposed film at a different point than with the Dursleys.

If we break this down, one third of this project is light academia — looking at a text and interpreting it — while another third is practical; practicing for the sake of practicing — taking that interpretation and making it a viable screenplay scene as a thought exercise.

The final third is that I’m a nerd with some free time.

Betsy the Gremlin

Part two will be posted eventually, but for now, check it out here. ↙️

Chapter One; The Boy Who Found Harry After a Tragedy

Wants and Needs and What That Means – Medium.com

© Disney Pixar’s Ratatouille

The first medium.com article I ever wrote, exploring the way that screenwriting instruction focuses on what characters want and need, but without explaining what those things actually mean in terms of writing. It’s a strange little language/code-switching barrier that warrants a deeper look, with Remy’s journey as a focal point.

One of the core elements in any text on screenwriting is to understand your protagonist’s want versus their need. On the surface, this seems reasonable. Knowing your character’s motivations — used here as a term for wants and needs as a driving force — is fundamental and relatable. How many times have you known that something you wanted was bad for you in some way and still wanted it? The internal conflict of a protagonist is when wants and needs don’t match up.

Betsy the Gremlin

Read the rest of the article here; ↘️

Wants and Needs and What That Means